STONE Leninsky
The interior design of the public spaces in this A-class business center reflects the same architectural ideology as the façade, using contrasting volumes of light and dark to echo its expressive rhythm.
«Curiouser and curiouser!» cried Alice — surprised, as if the world kept shifting with every step.
This spatial transition from black to white evokes a surreal sense of movement and discovery, inviting users to explore, ascend, and experience the interior architecture as a journey.
At the plinth level, interiors are predominantly black — corridors, retail galleries, and parts of the lobby immerse visitors in a grounded, monolithic atmosphere.
The lounge areas on the third floor follow the same minimalist aesthetic, now expressed in a lighter palette. Dark tones remain only in the furniture, creating contrast within the overall bright space.